![]() ![]() He was "The Crown Prince of Dance," although "Clown Prince of Dance" may have been more appropriate, given Thomas' onstage fondness for fuchsia shorts and purple boots. Thomas was known as "The World's Oldest Teenager," a sobriquet also claimed by Dick Clark. Memphis recording artist, disc jockey, dance craze originator and public personality Rufus Thomas was an entertainer for almost his entire life, so perhaps it's no surprise he attracted nicknames the way his Stax colleague Isaac Hayes collected gold chains and groupies. You’d think a 1940s actress who called herself Acquanetta and starred in a movie titled "Captive Wild Woman" wouldn’t need further glamorization yet Universal publicists dubbed the studio's latest discovery "The Venezuelan Volcano," even though she was born in South Carolina and raised on the Jersey side of Pennsylvania. ![]() NBA power forward Karl Malone was "The Mailman" because he "always delivered" when he was on the basketball court. I’ve always liked nicknames, whether they’re simple and direct (Bruce Springsteen is "The Boss") or inexplicable to the uninitiated (a high school friend of mine was dubbed "Squelcho.") Francis hospital in Memphis, Tennessee.View Gallery: Memphis Music Family: Rufus, Carla and Marvell Thomas Later that year, on December 15, he died at St. In 2001, Rufus Thomas was inducted into the Blues Hall of Fame. The collapse of the Stax label in the mid-'70s meant the end of his career, basically, as it did for many other artists with the company. Thomas drew upon his vaudeville background to put them over on-stage with fancy footwork that displayed remarkable agility for a man well into his 50s. As the song titles themselves make clear, funk was now driving his sound rather than blues or soul. Thomas hit his commercial peak in the early '70s, when "Do the Funky Chicken," "(Do The) Push and Pull," and "The Breakdown" all made the R&B Top Five. The biggest by far was "Walking the Dog," which made the Top Ten in 1963, and was covered by the Rolling Stones on their first album. Vaguely prefiguring elements of funk, the accent was on the stripped-down groove and Rufus' good-time vocals, which didn't take himself or anything seriously. These were not deep or emotional statements, or meant to be. ![]() On his own, Rufus wasn't as successful as his daughter, but issued a steady stream of decent dance/novelty singles. In the '60s, Carla would become one of Stax's biggest stars. Thomas and his daughter Carla would become the first stars for the Stax label, for whom they recorded a duet in 1959, "'Cause I Love You" (when the company was still known as Satellite). Thomas, strangely, would make only one other record for Sun, and recorded only sporadically throughout the rest of the 1950s. Thomas had his first success as a recording artist in 1953 with "Bear Cat," a funny answer record to Big Mama Thornton's "Hound Dog." It made number three on the R&B charts, giving Sun Records its first national hit, though some of the sweetness went out of the triumph after Sun owner Sam Phillips lost a lawsuit for plagiarizing the original Jerry Leiber/ Mike Stoller tune. King, Bobby Bland, Junior Parker, Ike Turner, and Roscoe Gordon. He also ran talent shows on Memphis' famous Beale Street that helped showcase the emerging skills of such influential figures as B.B. He recorded music as early as 1941, but really made his mark on the Memphis music scene as a deejay on WDIA, one of the few Black-owned stations of the era. Thomas was already a professional entertainer in the mid-'30s, when he was a comedian with the Rabbit Foot Minstrels. He was one of the few rock or soul stars to reach his commercial and artistic peak in middle age, and was a crucial mentor to many important Memphis blues, rock, and soul musicians. ![]() As a recording artist, he wasn't a major innovator, but he could always be depended upon for some good, silly, and/or outrageous fun with his soul dance tunes. From the 1940s onward, he has personified Memphis music his small but witty cameo role in Jim Jarmusch's Mystery Train, a film which satirizes and enshrines the city's role in popular culture, was entirely appropriate. Few of rock & roll's founding figures are as likable as Rufus Thomas. ![]()
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